Access other posts at the bottom of the page.

Christmas in Seattle – Part I

What do you do when it’s raining?

One answer is “Get out in it and shoot!” I did that, which the weatherproof combination of Olympus E-M5 and M.Z. 12-50 mm lens makes easy and fun. Another answer is to look for things of interest that I might otherwise overlook, shooting inside – or from inside.

This first post is about a series of shots I took that I think of as formal compositions. Forms, space, color, texture and their juxtapositions are more important to the image than the things photographed are, in themselves. Some subjects are obvious. Others may be a mystery.

_________________________________________________________________________________________

Rain can transform an otherwise ordinary subject.

OLYMPUS DIGITAL CAMERA

 

OLYMPUS DIGITAL CAMERA

A simple, easily ignored architectural detail provides material, perhaps at different scales.

OLYMPUS DIGITAL CAMERA

A graphic design may interact with an unintentional graphic.

OLYMPUS DIGITAL CAMERA

Breakfast in a retrofitted building.

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

In the Age of Brass, a elevator was more than just a box that goes up and down.

OLYMPUS DIGITAL CAMERA

Some images are just mysterious as to origins.

OLYMPUS DIGITAL CAMERA

Some slightly less so? Maybe you can guess?

OLYMPUS DIGITAL CAMERA

Some totally mundane objects interest me when isolated and paid attention to.

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

Sometimes, we see through.

OLYMPUS DIGITAL CAMERA

Sometimes, we see behind us.

OLYMPUS DIGITAL CAMERA

I wonder if I would have found what was being said in this hall as interesting to my mind as my eye found it empty.

OLYMPUS DIGITAL CAMERA

Some forms are fluid, with complex textures.

OLYMPUS DIGITAL CAMERA

Others are formally rigid. Is this door a reflection of place? Function? Intentional rigidity?

OLYMPUS DIGITAL CAMERA

What about this one?

OLYMPUS DIGITAL CAMERA

Many architects have a great eye for visual presentation of simple form and color.

You may have guessed that I didn’t have special platforms nor used a view camera.  Most of these images have been straightened from the perspective distorted originals. In this case, I removed the ceiling detritus of modern buildings, to retain the pure form of the design.

OLYMPUS DIGITAL CAMERA

I don’t imagine that whoever placed the piano here had a visual composition in mind.

OLYMPUS DIGITAL CAMERA

Perhaps whoever hung this giant reproduction of  a Lempicka on the outside of the Museum had it made translucent on purpose.

OLYMPUS DIGITAL CAMERA

Another architectural design that makes a nice abstract image.

OLYMPUS DIGITAL CAMERA

Finally, a clue to one of the less obvious images above.

OLYMPUS DIGITAL CAMERA

Comments are closed.